| March 9, 2007
Review: Indestructible at Cinequest
SFist tends to stick pretty close to SF but this week’s Cinequest Film Festival in
San Jose has been calling to us and we made it all way to the SoBay to check
out the world premier of Indestructible. Indestructible is the autobiographical
documentary of Ben Byer, beginning when he is diagnosed with Lou Gehrig’s
(ALS) disease at the age of 31. ALS is a neurodegenerative disease that is often
viewed as a death sentence because those afflicted with it usually die within a
few years of being diagnosed. Unlike Alzheimer’s, ALS sufferers retain full
mental facility even as their muscular system wastes away and they become
unable to walk, feed themselves or speak.
The narrative of Indestructible is focused on Byer’s search for hope via treatments
all over the world and on his interactions with his young son. After undergoing
a risky and experimental surgery in China, Byer returns to the US to be
with his son John. John steals the show with his hammy love of the camera and
the way in that he accepts his father’s illness as part of life. In one scene, which
is both painful and heartwarming at the same time a five year old John feeds his
father spaghetti. Byer and his family attended the premier of the film. After it
showed there was a brief Q&A session during which it became that many in the
audience were related to sufferers of ALS. They expressed thanks for the hope
they felt this film offered them and their loved ones. Byer himself has outlived
the expectations of doctors that were presented when he was diagnosed, though
his speech has continued to deteriorate and he is now in a wheel chair.
Despite the depressing nature of ALS, Indestructible is an upbeat film. The
theme of the film is framed during an interview with the famed neurologist Oliver
Sacks (think Awakenings) when he quotes Freud as saying, “Love and work are
the cornerstones of our humanity”. In focusing the film so closely on his work as
a filmmaker and on his love for his family (Byer’s siblings and parents also
feature prominently in the film), Byer demonstrates the humanity and humor that
can be retained even in the face of debilitating disease.
|